Italian Renaissance Painting:
The Sixteenth Century
Professor David Rosand
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Republican Florence: Leonardo, Michelangelo, Raphael Reading Assignments Vasari, Lives of the Artists, vol. I: Life of Raphael; Life of Michelangelo; vol. II: Life of Fra Bartolommeo of San Marco (L)(R) Wolfflin, Classic
Art, chapter III: Michelangelo ("Early Works"); chapter IV: Raphael
(through "The Florentine Madonnas"); chapter V: Fra Bartolommeo (L)
(R) Suggested Reading Johannes Wilde, "The Hall of the Great Council of Florence," Journal of the Warburg and Courtauld Institutes 7 (1944): 65- 81; reprinted in Renaissance Art, ed. Creighton Gilbert (New York: Harper & Row, 1970), pp. 92-132
Michelangelo Michael Hirst and
Jill Dunkerton, The Young Michelangelo: The Artist in Rome 1496-1501
(London: National Gallery Publications, 1994): on the problematic panel
paintings Howard Hibbard, Michelangelo (New York: Harper & Row, 1974=Icon Editions paperback) Herbert von Einem, Michelangelo (London: Methuen, 1973) Raphael James H. Beck, Raphael (New York: Harry N. Abrams, 1976) Luitpold Dussler, Raphael: A Critical Catalogue... (London: Phaidon, 1970): just that--a catalogue with basic information Roger Jones and Nicholas Penny, Raphael (New Haven and London: Yale University Press, 1983): good illustrations, better on Roman archaeology than on the paintings John Pope-Hennessy, Raphael (New York: New York University, 1970): focussing on particular topics and problems, this is probably the most readable text on the artist Fra Bartolommeo Chris Fischer, Fra Bartolommeo: Master Draughtsman of the High Renaissance, exhibition catalogue (Rotterdam: Museum Boymans-Van Beuningen, 1990): although focussed on drawings, this catalogue contains discussion and color illustrations of some key paintings Ronald M. Steinberg, "Fra Bartolommeo, Savonarola and a Divine Image," Mitteilungen des Kunsthistorischen Institutes in Florenz 18 (1974): 319-28 Ronald M. Steinberg, Fra Girolamo Savonarola, Florentine Art, and Renaissance Historiography (Athens, OH: Ohio University Press, 1977) An Essential Voice Baldesar Castiglione, The Book of the Courtier (1528), trans. Charles Singleton (New York: Anchor Books, Doubleday, 1959): much, much more than a handbook of courtly behavior, this is one of the most eloquent representations of Renaissance culture--in all its complexities and contradictions Two Nineteenth-Century Classics Jacob Burckhardt, The Civilization of the Renaissance in Italy (1860), trans. S.G.C. Middlemore (London: Penguin Books, 1990): still the richest and most suggestive study of Renaissance culture, in the broadest sense George Eliot, Romola (1863): a seriously researched and beautifully crafted novel set in Florence at the end of the fifteenth century--a wonderful read Historical and Social Context Nicolai Rubinstein, The Palazzo Vecchio 1298-1532: Government, Architecture, and Imagery in the Civic Palace of the Florentine Republic (Oxford: Clarendon Press, 1995) Peter Burke, Culture and Society in Renaissance Italy, 1420-1540, (London: B.T. Batsford, 1972): chapters on cultural and social history Gene A. Brucker, Renaissance Florence (Berkeley, Los Angeles, London: University of California Press, 1983): although focused on 15th-century Florence, the epilogue, "The Last Years of the Republic," is particularly relevant Eric Cochrane, ed., The Late Italian Renaissance, 1525-1630 (London: Macmillan, 1979): a collection of studies on various topics in history and historiography, religious, cultural, intellectual, political Eric Cochrane, Florence in the Forgotten Centuries, 1527-1800 (Chicago: University of Chicago Press, 1973): book I, "Florence in the 1540s," deals with the transformation of the republic into a Medici duchy Janet Cox-Rearick, Dynasty and Destiny in Medici Art: Pontormo, Leo X, and the Two Cosimos (Princeton: Princeton University Press, 1984): a rich investigation of the use of art as dynastic propaganda in the Medici rise to absolute power in Florence Additional suggestion re: Circa 1500 Jan Bialostocki, "The Renaissance Concept of Nature and Antiquity," in Studies in Western Art, II. The Renaissance and Antiquity (Acts of the Twentieth International Congress of the History of Art), Princeton: Princeton University Press, pp. 19-30: on the concepts of natura naturata and natura naturans and their significance for Renaissance aesthetic thought and artistic practice
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